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“he, aoe 196s, re _snunting L Dogs” (1 iS (18x 


15), G. La Branche ak AMD AY Ee ” 
iy Sarr tr ae ‘Hassam, veers “New York in Autumn” ae Ne | 
some i 29 (73%4x | Boudin, a L ee pee aa eek j 525 | 
51 Boudin, E. L., ‘‘Porte 3 ommerce, Le = 
a ee Gox1474), Havre” (1634x1234), C W. Kraushaar 725! 
and-Ruel + ok ae a Casi T. aC, »  Landseape”” (sunset) (164 — 
eA) WAS Clarigns ..giae~s dimemws 5 « 3,500 © 
: A 2G see Ziem, “Venice, Effet du Soir” (14 eb | 
, “Landscape” | Zt), as Powlestues » ost Die 1,550 | 
is oe ere oudin, ‘‘La Meuse a Dordrecht’? (15 <4 
“The Little Housewife (1434 2134), Durand-Rue Dorareche” (1594 $00 | 
oi .°: N. oo : G . 1) Maris, om, ws Bride? (25919), R. i 
“ er’ (pane Bch, ioe’ Cpa 
— ns ee eeigiwand Jongkind, 42° Be “Fecamp” 17x23 Fi 
26. “Mat in the Woods” - | T. Prendergast ei aes rast 
4 (i3sfxtl), Tohu SLery vcs saas creme 3,050.1 39. Pieters, ere, “Infant Ii dustry” "( 244% | 
_ Neuhuys, did Mere ae (14x11), John x20), H. Schultheis as a pe 475 | 
Pee Ce ee ak ee ee 750 | 40. Maufra, M., “Le Matin, Beg-Meil” 
: (21x26), Durand- g RECS Bs yt ny 300 | 
PTL eee CE ee 1,000 |. 41. e “Hoog, B. “The Mother” (20x16), . 
ee a ockey ee cs B.S 575 | 
200 }42.. Hassam, Childe, “Fifth Avenue” (25x21) i 
Pe pia Lieder vin tetne Be 2,150 | 
' se SEE op oot te * Bunce, W. G., “On the terion: Venice” 
ae (panel), 1454x2514), A, Ae Heéaly...... 925 
A Clays, P. J., erring Fleet” (24 
ne wie 4 AND og ae SALES i” ohn), Seaman, Aone we see ae 1,900 
sie 445. Red&eld, E. W., ‘‘Forest of Fontainbieau”’ 
aa d Lincolr Heit Picture Sale i aeons be LS apres caw oss 375 
46. acomber, . L., “Déath and the -C 
ae ee sale of 15 watercolors and pastels and |” tive? (23x28), A, Heme ee 2 ==) *208 
57 ‘oils, owned by Mrs. Roland C. Lin-| 47. ferme “Cas. i ae ae on 
E - canvas x37), owar oung. 1,550 
4 _coln of Jamaica Plain, Mass., ten oilsi,. pp Mow. Wenctisn Catal’ Stene® 425 3,< 
from the estate of Pek Nathan [sees koa: ae Howard NOUN Gil. sek aes 1,600 
of Bridgeport, Conn., with six additional; 49. Thaulow, “Bend in the River” (24x29), 
“ole from rivate owners, held under the O. Belsheim = es ROS Re ae 1,500 
p | 50, Thaulow, ‘“‘Les ‘Vignes VES (25% 
auspices of the American Art Association | ey olmelievyi. id. sits (beeen. 2,000 
in the Plaza Ballroom, evening of Jan. 5 51. sister on jMlegheny: River” ‘ 
¥2x32%), Howar OPN SR0 eres ose 5 1,950 
= 22 last, with Mr. Thomas E. Kirby aS | 52: Thaulow, ‘‘Winter Landscape” (29x37), 
auctioneer, resulted in a total of $106,085.,~~ Howard ¥oung .......sseseeeeseeess, 3,050 
Two pictures © from private Owners, a:53. Thaulow, “The ARTs Evening” (26x32), 
Tocqué, a presumed portrait of Catherine | “Sree fits eee A eee ee 
of Russia, and the well-known large figure °* "'39)°G, Belsticim .tr-csscseveveseeee 1,800 
on. eee ott, Eas Pages,” form- | i 55. ae ai “Venice”’ (26x5274), H. Schult- ie 
erly in t e erkes co lection and later in EIS wee cevcecee BS OES a Sake sige ea My Ie 0 
the T. J. Blakeslee Gallery, entered from °° vse ; E Mere heveningen™ (27 idx 775 
private owners at “upset” prices of $2, 000 | 57. LaFarge, J., “Dawn on Edge of Night” 
_ and $4000 respectively, did not obtain bids! ae (314x33), ree, pene oe peers 950 
> Bunce, alas an Giorgio Maggiore, 
at these figures and were not sold. _-- Venice”? (23¥4x37), Dr. John B. Griggs £25 
The ballroom was well filled with a 59. Kendall, ue “Through a Doorway” 
good audience, but, although as Mr. Kirby. = (49x27), R. C.-& N. M, Vose......... 675 
well said, “the pictures owned by Mrs. 60. Pieters, me “he ieee freer 1 5ex375). 1.150 
Lincoln were assembled by a connoisseur,” | 61, Hecee W.. “Wild Geese in Flight’ Gax 
the bidding was weak, save for the) : eae Macbeth Galleries eee S 28,000 
i Wi ; ; || 62, acomber, : -. “The Nightingale” 
Winslow Homer “Wild Geese in Flight.” (444324), Boe ENOM. Viecl "1,500 
This brought the record auction price «“ 
63. Santorno, R., “Venice? (944x144), N. J. 
for a Homer (The Macbeth Galleries sold Ritoleer se .. « Mee aaa shards aioe on f+ 375 
the artist’s “Maine Coast in Winter” to eee se “aes Sunshine” (21x 700 
; TT pce ww ce tee cee ete 
a private customer for $35,000 recently) “A. 65. eee J. €, “The Sunlit Hill” (30x 
‘$28,000 aie the Macbeth Galleries. ‘This| fe Paul Se 2 eee 650 
was also the top price of the sale. || 66. Corot ile. D’Avray” (1872x21%4), 
No. Artist Title Size Buy er Price} HH, Goldbiatt 25> eee rmeeence - coe eee essere 3,700 
1.. Bosboom, J., “Nieuwe oot a, “1x | 67. Daubigny, C. F., “Landscape” (22x3974), 
8) (watercolor), M. J. Levy.......... $3204 O. Belsheim | is, ofthe ie oeklals Ge ea aTe eating 3,000 
2. Stortenbeker, “Cows” Rapid pap (11y% | 68. Troyon, C., “Going to the Fair” (25x 
x9), R. Thompson. ge ae 80); SO aU le GLENS) Voee x es 6 2 8 es 1,100. 
3. Wan Essen, “Lion Cub” (watercolor) fi 69. Same ae ie “In Danger” (35x46), Hol- nee 
(14x11), John A. Penton.... seve. 80°) an alleries FON a Ash ecg ee ie i 3 
4. Bosboom, “Cathedral Interior” (water- 70. Van Marcke, E., “The Ox Train” (40%4x 25 
color) (10x7 34), Scott & Fowles...... 475, 59), Paul Watkins ea AAC ar mee an 58 
5. Neuhuys, - “Industry” (watercolor) . ZA. Troyon, C., “Le Mare dans la Clairiere”’ 
(11%4x9%), John Lewes. 425) (44x55), R. COP RCeN boi pe eink hase sce" 1,600 
rs e Bock, “Around Haarlem” (water- iz: Boge errats The White Rose” (62%x 
color), (84x12%), Scott & Fowles. 225! 36%), Holland Galleries paver cesses 1,950 
di auve, ‘‘Girl Nee Cow” (watercolor) 1173. Roybet, F. V., “Seated Cavalier” (panel) 
(10%x14%4), i‘. -Heatey. ion x. & 1,000 (395232), A. Harlowiepee «sash. 500 
8. Mesdag, H We “Pulling ihe Anchor?” | 74. Tournieres, R. L., “‘Comtesse D’Origny” 
(watercolor) (1814x111), Scott & Fowles 375) (51x37%4) (withdrawn). : 
9. Shinn, Everett, “Bridge Near La Villette’ 75. Veronese, P., “Portrait of Venetian 
(pastel) (191%4x24%4), T. Prendergast.. 150)! Lady” (45x34%), A. Harlow........ 200 
10. Millet, ore “Bergere” (pastel) (13x10), 76. French School, ‘‘Portrait of Lady of the - . 
7 me Le SEY gen nae yee 1,900/| cart” (45x54), Pa eee ae 525 
b euhuys, ep eRe ewing esson”’ i renc chool, “Portrait o ady as 
(watercolor) (2414x18), John Levy.. 650 | Diana” (524x424) (withdrawn). 
12. Mauve, pees Pe Pe (waterclor) | 78. Nee & ae oak of Lady” (67x We 
(134x203 noedler & Co......4... 1,650 47), Clapp TahaM......+++0-- sees 
17. “Millet, J. ; , “Le Bouleau Mort” (pastel) | 79. Pourbus, F. (the younger), “Portrait of 
| TRS Scott & Fowles.........:.. +1,350) Margherita Di Mantua” (56%x40%), 
"edder, E., “Diana” (pastel) (23%x LILY Fert gf LER g obi oko Se Se eee 475 
‘ 3314), T. Prendergast... ..0-.-+0s+s0- 175 80. Tocque, “Marie Therese, Empress of Aus- 
eS” Vedder,” F., “The Soul im Bondage” tria” (58x46) (withdrawn). 
(crayon) (3534x2434), T. Prendergast. 125) 81. Tocque (attributed to), “Portrait Cath- 
17. Dupre, Jules, “Paysage” (oils) (634x834), erine of Russia” (78x56) (withdrawn). 
ee mee a tp Ser Sa er a aaa 625 | 82. Charlemont, E., ““The Pages” (7734x109), 
18. Van Maveker “A Goat”? (oils) (10x13), upset price, $3, 000 (withdrawn). 
E. i) Henort....... ereest e@sere eevee e008 400. : Total eeeereereerereereeoeree ee eee eee eeeseveee $106,085 


a 


ee Mone, 
put as a whole, 


bs toned. picture, 
Ly brown and 


“by 5014. | 
acted in the éve-, 
ivate collectors 
trom estates, and. 
L/ Etang et la 


. from. the a. Hert of 


{0 iSpleate. A 
“the neoln pictures, , 
AN werit to a -Sen- | 
OS ‘Clark ‘for $3,500. A 


he al Work in a 


j 

Vv mg { 
‘ vir eu 0, 

. 4 4 Wrest by - the . 

George de iforest ? 

is eg ee never | 

Knoedler 


the Pictures and: Hrlcem | 
are the pictures bringing 


: over with the prices: 
+2) Werk, [Eee onesines Bos- 


ay ee $520 | 

a) ral paiatinejonannes Bos- bs 

boo! Scott & Fowles.......-++- se: (5.1 

: An¢ ndustry—Albert Neuhuys; John : 425] 

iid ““Waerlem—theophite de) 8s 

"Bn, Bee cot & Bae a. Niger ss 225 | 
ay n POS the 4 

pends ® yHeale SON ha hy RRR Re 2 43000 | 


ct 


dey 
the Anohot-—Henarick LV tae) 
ePaling, 2 - Seott & Fowlea..o..... 5 375) 


| 


Rint A! 5 sb sin tn dopa? 


and Bue ' 
ry aigoree De’ Fores Brush; 
gel ones ( Mibee i oan es oan » 2,350 | 
2i_Landseape-Lion Richer; "Bernet, bike 
DIONE L OE ie 6 ain ce 350 

tthe | “Little Houaowiteeceert Pie- | 
ters; R. C. & N. M, Voss of Boston.. 825. 


31—Huntine. Dogs—Charles . Olivier: de 


sane. We As Miles p34 2. ie a) 
83--Porte de Commerce, avre— 
euaene Louis Boudin ; A ew. Krau- | 


be o _Shelitisher-—bvert Pieters; -W. i 
Hi Bae Td ered eats 225 
ee wihter Work ‘in the. “Woods—Anton ; 
MEAONE ‘sic LOM LCV Yo yop ee cre ey eed 050. 
27-Courtship—Albert Neultuy Si Poon 084 
PR Val lain A Ciba See Og ute ee pe eo aT 7: 150% 

; 28 Maternity Ai bert © Neuhuy: iB: ; | John 
28-Stady’ ‘ae ‘White’ “GaisHendielia Paead 
| Ronners Jonni lievye cee Ae ales 200 | 


} 
Uy] 
~ Penne; 'G.; a Branches. iis. segues BO 
| 82—New LiL A in Acwtumins-Cide, Has-' 

BHT. i Glas sa Ca aias Foch ae Re eA TRS, 
| 84— fabcage Sanset—Jean Charles 
Pirie. ACY OIBEK UY iW iscicknts horas 3,500 
| 85-—Venice:_ Effet due SoirPelix & 
_. Ziem; Scott & Fowles.. et pene 1,550 
36—La Meuse a Dordrecht —Hugene 

Louts. Boudin; Durand» Ruel........+. 
8i—The Bride (Wife of tue Artist )— 

Simon. Maris; R. C. &.N.°M. Vose, 

BBOMNON Hee. hs ce eas Mg TEN Ema a 250) 
38—i'camy+—Johann Barthold Tone. : 
jekinde)T, Prendergart 5 se ysecs pew - (25: ) 
39—infant Industry—Evert ‘Pieters; > | 

Henry Schultiees. rove kia ers 475 

40—Le Matin, ie rhage ipa 1h Mau- = 

fre; Durand Ru ed OMe thy eae eh Cb 300° 
41—The Mother—. Soyhed ‘de Hoog; G. ; 

PRE B OIC Y 25. on Sak wie obaaae! deb mcd ogi be DTD | 
| 42—Fifth SO Tae Hasgam ; bes renee 
Pe Mi MQOO OF, 6 55 0b Wh Se few 'n oi, OM bas w 9p 21604 

43—On the Lagoon, “Venice — William | 

Gedney Bunce; A. Augustus-Healey.. 925 | 
44—Herring Fleet — Paul Jean Clays: epee | 

Séarnan, Beet wile Sees eh ae aye, ; 


45—Road in Winter: Forest of. Mon- 
ali aaiee usta Sy Willis Redfield; 
Aa GAS lows es 
46—Death and ‘the - Captive: Mary L, 
Macomber; A.’ Halow..... 00... OREN a 
The following remarkable group of the 
works of the late Frits Thaulow were 
selected by the owner, Mrs. Roland C. 
| Lincoln, as representing the best periods 
of the deceased master: 


| 47—Riviere sous LL gine ee Thaulow; — 
Howard Young .s-..... Cg Pb ele ea OaO 
| 48—Venetian Canal cwenecm rits. Thau- 
low; Howard Young ..sicreneeeee 1,600 
49—Bend in the River--Frits Thaulow "y 
O.. Belshelpy 25sec ce ele sels el oe 1,500 
| 50—Les Vignes Vierges-—Frits’ Thaulow ; 
POET AGOVS: - oa Waste theta dela a @ smiate pedogiamate 2,000 
| $1—View on the Allegheny Rive Frits 
| ‘Thaulow; Howard Young....... 1,950 
| §2—Winter Lendscape—Frits’ Thaulow ; | 
Pe TOME Gi. NOUN EY eos an atte areas ie ele Mata teuk lie 3,050 | 
| 58—The Halt, Evening: Moonlight—Frits | 
| Thaulow; ©. Belsheim ....--.-...... 2,050 | 
§4—La Seine en Decembre—Frits Thau- 
LOW fk hire BOPIBONIAE (iso: Holityos eas Sines + 2,050 
65—Venice — Frits .Thaulow; Henry | 
BCHUITHOTEE Cheers aaa Apewinge a 0 Teoieat a in 1,500 
56—-Scheveningen—Hendrik Willem Mes- 
PEW BLO CLO MINTS isle 80s distal pees 775 
57—Dawn Comes on the Edge of Night 
—John Lafarge; Scott & Fowles. 950 | 
68—San Giorgio Maggiore, Venice—Will- . | 


fam. Gedney Bunce; John B. Griggs $25 
69—Through a Doorway—Wiliam Sar 

geant Kendall; R. C. & N. M. Vose.. 700 | 

60—The nade Door—Evert Pieters; Jobn 


| 
Ww epee EN yee Dey, 4,150 | 
61 ild “Ge ése. “tn Wightwitislow | 
mer: Macbeth Galleries ..........28,000 | 
62The EN EME Mare L. Macom- 
bers. .R Ms VOEE Ree bes tay 22000. | 
Bing? 5 iam EN A Santoro; *N, i 1 
BOOKED | BA Vicakainte 84 ska oe S eeitee eee at aueuy 375 | 
| 64—Golden ‘Sunshine: Sunny Laudscape / 
—tenrl Harpignes; O. Belsheim..... 700 | 
65—The Sunlit Hill—John Carleton Wis- 
gins; Paul. .Watkins.........6s2.es > 650 


at 


im 
oe 


—— Tee NTR 


-¥998,000 PAID FOR 
~AWINSOW HOMER ST MA 


SRERTGB | Belsne SPR le te ee gir’e 


a i | ee 8 ‘Vieng Vierges""" Felts ‘haulers 
wil Geese in Flight Fetches tie ae nau a pith a ; 
Pri at 106, (085 eT it.) pits aes 6 diisietea! E: 44 

_ Top ‘ oF | | fie aie bs fia iid His 


Ae peaieye, 


ud “Venice, : ie inulos “Heury Senile 


bee th ee CO OE RS Oy 


he 


i ii aes ner rin ee 
i | | Ngheveninged "2 WW, Meats Sis, 
A COROT BRINGS $3,700, | *tawn. deg do i" Ya ee 
| “Gen Glorae ve miata Pe Ge ier - 
ah : “wh ngh-a Doorway," W,. ‘8! Kenda ee eons 
Pictures from Mrs. Roland C. Lin- : a Leas" ieee ieee ge gs pet: 
" if e £46% one + iss 
coln’s Collection and Other Wild Geren ja Fiteat” Winslow °F 96.000 
bs ne Sold : aay “thie Nigutingale, pe oe nv te 1 00 
Esta es 0! e | vel gots Age “A aa * ignies; 'O. we 
co ‘Sunlit Hill,’ Jobo 6; wieglsgs Hual Wa — 
4 te : oe | nae Ash tote ttt 850 
Pastels, water colors and paintings from ye a Avray,'4 7 BI @. doret; Hf ne 
the collection of Mrs. Roland C, Lincoln OBA rt a ‘P.' Daahien sang: O. ‘Bele B na 
of Forest See hen eae on ining eh ae e. Aiea Hast Wate i ti 
on ct cy UO aaa atone “tn Danger, i Adolf Sehreyer; Holland Gale 
were’ sold in. the hallroom of the Plazé lerie ere lene pee Coe 2,850 
es . ea RYO RSie| ‘Phe. Ok ‘Prain,’ Emile Van Mare eke! Paul. 
Hote] last night by Thomas E. Kirby, © Watkins, .... iy tat nesters 1625 
the American Art Association. Mrs "Te. Hale bam La Giairiere,’* 0,. Troyer) “1,600. 
‘Lincoln ‘has long Jbeen acknowledged ¢ ve Woe tae" OW, AS Bonstieteait; Pr | 
“connoisseur in all three forms of art b} “Lady of cae Court, si ‘French school; Paul ere 4 
American and foreign artists. For thi WAtRIDS ire eieere eters reser ster enee renee toes 


reason there was a good.demand for he 
pictures and the prices realized were con 
sideréd excellent. The sale  totalle 
$106,085." \ | 

The top price of $28,000 was paid by th 
Macbeth Galleries for Winslow Homer’ 
Wild Geese in Flight.’ The secend pent 
price. of $3, 700, was given by M.., H, Gold) 
dlatt, .for Corot’s ‘‘Ville a’ Avray, if and 
the third high price of $3,500, was bid by 
former Setiator William A. Clark, for 
‘Landscape,” by Jean C. Cazin, Twenty- 
six other pietures brought prices in eFeesh 
of $1,000 each. 

The: paintings, the artists, the buyers 
and: the prices. over $00 paid in ee 
order were:— | 
“Girl and Cow,!’ Anton Mauve; A, 


VHOOTOY ony acs. s 3 - W erace! 
‘Bergere”’ Jean . Millet; John Levy... 1,900 
Rewins Lesson, ? Albert Neubuyay “ou 


VY ewan see aces sees cane G50 


er: Ree EMRE ae Nel he Va asin yy Cl tay Urigeres Genie . 1,650 
bbe Pouleau Nir ue Jean ¥, Maier” Seott yy 
& POW ES. nee e nse reese vege e triers pe 
‘Paysage,’ 8 Dupre; ‘Otto Bernet. ¢ 4 
“Still Life, a Fades Volien: A, L j ie. 

(PET ASS Lh SRR RE CIR IR BDA 
‘Canal at Caen,’" ae pine; Durand "Ruel §Td 
“Mary,” George . De eae Brush; . M. 

Kno ler SESS PSUS SR aan ie AC Se ned 2,350 
“Winter Work in the Woods,” A. Mane; 

John BONY: og bore sata Nigts AP aeiN Woetptoigt® Di glicee teins By 


“Courtship, “Alpert Newhirs: FSi Lery eueneney (100) 
bert Newhuys:. John Levy, » 1,000 
mew York In: Autumn,” Ghilde Hagsam;:.” - 


e ® Nt eh.s a. aT, 3 A625 
ts ieee de Commerce, '* b. L. Boudin: € WW ‘ 
FR PAURD ARR re is gece sy hipaa’ ha’ g be aoe wf T25 
“Landecapo,'f: dean ame Cavin: within A. 7 
LAPUA Vind Ze ee ah od aed Acta mean eegeens cde 3,509 
aVenlen. 0 helix x giem: ‘Scott & Fowles. i... 4,85 | 
‘Le Meuse, "1. Boudin: ured Rue}... 7 $60 
“The Mother,” Bernard de Hoog Gy cB, 
Schley: 575 
Ith” Avenue,’ iv "Childe ‘Hassain: “E. aie 
TAIBRON Poke Ua eitve die ko Meee g GS celalihig an aa g's Rares + 2,150 
{On “the: Lagoon,” William G, " Puince; A | 
A. Heatey . Pes PA Pee ibe tate nee oP OBR 
‘Fferring’ Mleet,’? Paul J, Olays! Wi! W: a 
Lie MIRROR, cura s Sanaiaes op) bs Leb bee OOO) 
) *Risdere Saus Bois,’ Vrits Thaulow; How-° = >. 
BOSE MBND TI Ee oo ad hp is eel MIN ein leva ghh steele 1,550) 


‘Venetian Canal ‘Seene,” Frits Thaylew; 
Howard Younes... reves cene ee dee es sek | 37800) 


ON FREE PUBLIC VIEW 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING SATURDAY, JANUARY 1[7th, 1920 


FROM 9 A M. UNTIL 6 P. M. 


AND CONTINUING UNTIL THE DAY OF SALE 


A NOTABLE COLLECTION 
OF 


OIL PAINTINGS 


PASTELS AND WATER COLORS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


IN THE GRAND BALLROOM OF 
THE PLAZA 


FIFTH AVENUE, 58th TO 59th STREET 


ON THURSDAY EVENING, JANUARY 22nd | 


BEGINNING PROMPTLY AT 8.15 O’CLOCK 


cenit 


Ions aa i u 


2aTATeS CVA 290T OD a 


> 


7 


40 MOORLIA 's 8 QUAY 


ea 


a 2 
a Wel 


/ 


ILLUSTRATED CATALOGUE 


Ole: 


NOTABLE OIL PAINTINGS 


PASTELS AND WATER COLORS 


FORMING THE COLLECTION OF THE CONNOISSEUR 


MRS. ROLAND C. LINCOLN 


FOREST HILLS, JAMAICA PLAIN, MASS. 


WITH A FEW ADDITIONS FROM 
OTHER PRIVATE COLLECTORS AND ESTATES 


ae Win %. 7oett. (bickg cfr 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY DIRECTION OF THE OWNERS 


ON THE EVENING HEREIN STATED 


IN THE GRAND BALLROOM OF 
THE PLAZA HOTEL 


} tA ¥ po! pry / ] ede dp 
; ine 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY AND HIS ASSISTANTS, MR. OTTO BERNET AND 
MR. H. H. PARKE, OF THE 
AMERICAN ART ASSOCIATION, Manacers 
MADISON SQUARE SOUTH, NEW YORK 
1920 


PO ee fo eee ® oS © ee 


~ , BY) ceete TPs 
- Si et tg ee 
ae 
. 
x 
' 
4 


DESIGNS ITS CATALOGUES AND DIRECTS oe 
ALL DETAILS OF ILLUST RAiiIOnN co eae 


TEXT AND TYPOGRAPHY eas 
e. eat 
<i 
Pe. 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute arise 
between two or more bidders, the auctioneer shall either decide the same 
or put up for re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immegiately put up again and 
re-sold. 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 
be a charge against such purchaser. 

4. Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business in 


which the Association is in no wise engaged, and will not be performed 


by the Association for purchasers.. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 
the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 
for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 


within ten days from the date of the sale thereof. 


7. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of any 
lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold “‘as is” and without recourse. , 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any- trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its Judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 


foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


nay 


EVENING SALE 
Mirek sDAY, JANUAR Y.22, 1920 


IN THE GRAND BALLROOM 
OF THE PLAZA. 


Fiera Avenues, 581TH tro 59TH STREET 


BEGINNING AT 8.15 O'CLOCK 


as ‘> JOHANNES BOSBOOM | 
Durcu: 1817—1892 | 7. 


I—NIEUWE KERK, DELFT : 


Water Color 
PhO + \ Bh. 
Height, 11 inches; width, 8 inches 


IntTerior view of the church where William the Silent and the other 
princes of Orange are buried. At right two of the chapels with brown 
woodwork screens set between the great columns supporting the high 
arched ceiling, and in front of them, in the nave, three figures—a man 
in brilliant sunlight, and a man and woman back in the shadows. 


Signed at the lower right, J. Bospoom. 
Purchased from Boussod, Valadon & Co. 
Property of Mrs. Rotanp C. Linco. 


; 
i 


PIETER STORTENBEKER | 
Dutcu: 1829— 
2—COWS 
| (Water Color) 


( ~~ O 7 Height, 111% inches; width, 9 inches : 


Meanpows of soft green skirting a gray bay, or a broad river, are seen 
on a bright day under a blue and white sky. In the foreground a red 
and white cow is standing looking toward the water, and two black and 
white cows are lying down near by. 


Signed at the lower left, P. SroRTENBEKER. 


From the Boussod, Valadon & Co. sale, 1902. -# ]- BXlo~ ht. Kinedle 


Property of Mrs. Rotanp C. Linco.xy. 


JAN VAN ESSEN 


Dutcu: 1857— 


3—LION CUB 


(Water Color) 


S01 Height, 1434 inches; width, 11 inches fe he. linen 


A WELL-cGRowN lion cub squatting on its haunches faces the spectator, 
massive head supported on firmly planted forepaws and tail curling 
away toward the right in the background. In proportions he looks 
formidable, but the gaze of his eyes is bland. 


Signed at the lower right, Jan van Essen. 
Purchased from Boussod, Valadon & Co. 


Property of Mrs. Rotanp C. Lincouy. 


K\ S JOHANNES BOSBOOM 


Dutcu: 1817—1892 


4—CATHEDRAL INTERIOR 


ME (Water Color) helt a9 z 


Height, 10 inches; width, 734 inches 


In the foreground in a strong light a man and a small girl are seen, 
standing, and in the seats beyond them other worshippers may be 
detected, in the darkening spaces of the distance. A chandelier depends 
from a beam spanning the high arched ceiling. 


Signed at the lower left, J. Bospoom. 


Purchased from C. A. Walker of Boston, 1905. 


Property of Mrs. Rotanp C. Lincoy. 


ay ‘< i NEUHUYS 


f 
“al urcoH: 1844—1914 


5—INDUSTRY 


(Water Color) | ee ies 
NAS Height, 111% inches; width, 9 inches ‘ 


TureeE figures appear, before a window in the corner of a cottage 
room—the walls of the room gray and its flooring of dull red tile—a 
mother seated at her sewing, and two small children who must also keep 
busy. One, a girl, is seated at some work, and the other, a plump 
youngster, sets about to stir something in a bucket. 


Signed at the lower left, ALB. NEUHUYs, F. 


Purchased from Arthur Tooth & Sons, London. 


Property of Mrs. Roxtanp C. Lincoun. 


eda 
YA 


& y 
he THEOPHILE DE BOCK 
Dutrcn: 1850—1904 


6—AROUND HAARLEM 


ee (Water Color) sol jeuteo 


Height, 81% inches; length, 1214 iches 


AcricutturaL fields are bordered in the distance by scattered red- 
roofed farm buildings, and on the left nearer the foreground by other 
cottages on some rising land. Here, too, are a few leafless trees, and 
in the foreground in the field some figures are indicated. 


Signed at the lower left, TH. pE Bock. 
Purchased from M. Knoedler & Co., 1904. 


Property of Mrs. Roranp C. Lincoun. a 
W. 0.397 4 Baveghn Baila) » Kareem Aurlidae, Otkifigor 2 ASX» 
Sd Nb. tanec, Mir 1904+ PASK— | 

\\ ) ANTON MAUVE 
\\ en- Durcu: 1838—1888 


\0 : 7—GIRL AND COW 
(Water Color) 


ors Height, 1034 inches; length, 1484 inches 4.ta.% 
y S000 + Z 


Unver a gray-white sky a gray-green field of coarse grass, with here 
and there a wild flower. The land rises gently from the foreground to 
a low, broad, rounded crest forming a level skyline, with a few gray 
bushes which retain scarcely a handful of brown leaves rising above it 
before the sky. In the foreground a girl leading a black and white 
cow toward the right and away from the spectator. 


Signed at the lower right, A. Mauve. 
Purchased from M. Knoedler & Co. 
Property of Mrs. Rotanp C. Lincoun. 


Ol Sol Diy ae . 0, Veblen Speneh 1901- Jonis pose 


W.0./3S - tbaughh pom 1 duller so 1901+ BUAX 4 
Sota . cnc BY 1902 » PAESK 7 


Dutrcu: 1831—1915 


. BS HENDRIK WILLEM MESDAG 


8 “PULLING THE ANCHOR” 


BIE (Water Color) Jett Jhuleo 


Height, 1814 inches; width, 11 inches 


MEw aboard a heavy, working sailing vessel, which is bow-on to the 
spectator and to the shore, and is under way, are hauling on an anchor 
line which leads shoreward. In the foreground a man sits upon a horse 
that stands ankle-deep in the shallows of the beach. In the far distance 
are various other sail. 


Signed at the lower right, H. W. Mespac. 


Property of Mrs. Rotanp C. Lincoxy. 


sS O : EVERETT SHINN / 


AMERICAN: 1873— V 


Height, 191% inches; length, 241% inches 


9—BRIDGE NEAR LA VILLETTE 
(Pastel) 


/S0 7 


Crosstne the foreground is a rapidly moving river, its surface gray and 
red and black as it mirrors the French houses on its farther shore, a 
huge red bridge of numerous arches which crosses it at the right, and 
the shadows under the bridge’s deep arches. On the farther bank, in 
a road running before the houses, a white horse is tugging a laden cart 
whose driver walks ahead. 


Signed at the bottom, at right of centre, EK. Suinn, 1908. 


Property of Mrs. Se ake C. Lincon. 


Sold a Mussch 21)0903. SOKK 


Frencu: 1814—1875 


\A& (Y JEAN FRANCOIS MILLET 


, Vy 1 
AGM 
+e 


10—BERGERE 


(Pastel ) b, A 
| /4OO7 Height, 13 mches; width, 10 inches " 


In the foreground a young shepherdess is standing, facing the spectator, 
her head bowed over her knitting which she holds before her breast. 
The hour is close to noonday, and her shadow is small at her feet. 
Behind her come her large flock of sheep, moving slowly and grazing. 
The girl wears a blue skirt and gray cape, and her head is bound in a 
kerchief of purplish-rose. The grass of the meadow is a yellowish- 
green. 


Signed at the lower right, J. F. M. 


Procured from a cousin of the artist. 
Purchased from Goupil & Cie., Paris, 1877. 


Property of Mrs. Rotanp C. Liycoun. 


Vor \ a 
ps" 


ALBERT NEUHUYS 
Dutcu: 1844—1914 


11I—THE SEWING LESSON 


Lb (Water Color) fr 
oO-~ ap 7 
Height, 24% inches; width, 18 inches 


A YOUNG-MATURE woman of the peasantry sits beside a window in a 
corner of a grayish cottage room, ane the spectator and sewing. 
The colors of her cap and dress are “gray”, in the sense of being sober, 
and-she is working on white material. In front of her a fair-haired 
child in blue, seated in a rush-bottomed chair, “‘helps her” at her task, 
and takes a lesson in the useful domestic art. 


Signed at the lower right, ALB. Nevuvys. 


Purchased from the sale of the Joseph Jefferson Collection, New York, 
1906. Mut an fue Arte ates | 


Property of Mrs. Rotanp C. Linco.xn. 


ANTON MAUVE 


| \ Dutcu: 1838—1888 


12—NOVEMBER DAY: CHANGING PASTURES 


Séé0 (Water Color) I. ly, 1 a f 


Height, 1384 inches; length, 201% wches 


Unper a grayish sky banked with white at the horizon, low-lying and 
rolling pastures extend across the picture, with a transverse fence indi- 
cated in the middle distance; near the fence and’ in the foreground are 
groups of trees, their green leafage turning yellowish and toning in 
with the waning hues of the grass. Beside the nearer group of trees - 
there are coming forward a flock of gray-white sheep, who are followed 
by a stout shepherd wrapped in dark brown. 


Signed at the lower right, A. Mauve. 
From the sale of the collection of the late Joseph Jefferson, 1906. 


wt an Ue Laker. 
Property of Mrs. Rotanp C. Lincouy. et 


A T7e lrdront fect Ipalles » Sp uly 1596» <mnx 


Sula SIP ie W189 71 BAEKX 5 


w af , 
— . 


: “0 


JEAN FRANCOIS MILLET 
Frencu: 1814—1875 


~“ 


13—LE BOULEAU MORT 


Sfp = Sor deoll - Jaleo 


Height, 19 inches; length, 24% inches 


On a hillside bleak and brown, which slopes toward the right, a blasted 
and dead birch tree, in the foreground. Its trunk for a long way 
hugging the earth, even as it did in its lifetime, the tree still both lies 
‘and stands, with one of its two limbs broken off, and one branch stand- 
ing upright. In the background, a copse at the left, and a wood at 
the right, all black and without leafage, and in the middle distance 
before the wood two heavily laden fagot gatherers. 


Signed at the lower right, J. F. Mintzer. 
From the Staats-Forbes Collection, London. st 
Purchased from Messrs. Durand-Ruel. 


Property of Mrs. Rouanp C. Lincorn. 


\ iv ELIHU VEDDER, N.A. 


AMERICAN: 1836— 


(Pastel) LE bs dingde 


/ / 4 Height, 231% wmches; length, 33% inches 4 


14—DI AN A 


A LUNETTE design for the Congressional Library, Washington, D. C. 
Nude female figure of handsome features, seated amid streamers of 
flying drapery and borne upon a cloud through the ethereal blue of 
space. She faces the spectator, and back of her is the haloed moon. 


Signed at the lower right, ExrHu VEppER, 1895; at lower 
_ left, “Copyright, 1896, by E. Vedder.” 


Property of Mrs. Rotanp C. Lincoun. 


\ <i ELIHU VEDDER, N.A. 
a ee . | _ American: 1836— 


15—THE SOUL IN BONDAGE 


\ Ae | (Crayon) 1b Catrediegack 


Height, 3534 inches; width, 2424 inches 


ALLEGORICAL: a nude female figure with wings, seated with knees drawn 
up to fullest height in front of the chin, arms crossed about the legs 
above the ankles, and holding in one hand a butterfly and in the other 
an asp. Her hands are bound to and about her legs by streamers which 
encircle her figure and feet, and her eyes are closed. In the background 
a burst of glory. 


Signed at the lower left with a monogram device and date, 
1891 ; also, “Copyright, 1896, by E. Vedder.” 


Purchased from the Artist’s Exhibition in Boston, 1900. 


Property of Mrs. Rotanp C. Lincoxy. 


S25 


K 
, yy 


4 _ OIL PAINTINGS 


JULES DUPRE 
FrencuH: 1812—1889 


17—PAYSAGE 
Height, 634 inches; length, 834 inches O Sheesh A 


Meapvows green and sunny in the foreground extend to an indefinite 
and partly shadowed distance, and in the foreground a stream reflects 
the white cumuli which bank in masses before a sky of deep blue. Two 
cows are drinking in the stream, and back in the sunny meadows a 
woman is standing before a thatch-roofed creamy-white cottage. 


Signed at the lower right, Jutes Dupré 
Purchased from Goupil et Cre., Paris. 


Property of Mrs. Rotanp C. Lincouyn. 


< 


SN EMILE VAN MARCKE 


a 


Frencu: 1827—1890 


18—A GOAT ALG: ZL 


NOO a Height, 10 inches; length, 13 inches 


Cros in the foreground the carefully studied figure of a large nanny- 
goat, in the attitude of grazing, in a green pasture. She stands facing 
the right with lowered head, feet in the posture of short, slow steps 
forward, and the sunshine enriches the quality of her white coat which 
is mottled with deep brown. 


Signed at the lower right, EM. van MaRckeE. 
From the collection of Monsieur E. Adam, Paris, 1900. 


Property of Mrs. Rotanp C. Lincouyn. 


ANTOINE VOLLON 


Frencu: 1833—1900 


LL, 
19—ST IFE VA y/ ‘- 


L00 A Height, 914, inches; width, 614 inches 


In the background a mahogany-paneled wall and a drapery of rich, 
dark green. Before these, on a wooden table and in a strong light, a 
flagon adorned with figures in relief, a tall golden standing-cup which 
glistens, an amber wine glass and blue and white bowl, grapes purple, 
white and black, and a rich ripe pear—the surfaces of all luscious as 
the fruit itself. 


Signed at the lower right, A. VouLion. 


Purchased from Arthur Tooth & Sons, London. 


Property of Mrs. Rotanp C. Lincoixy. 


ty \ \ \° HENRI HARPIGNIES 


rn Frencu: 1819—1916 


20—BORDS DE RIVIERE 


50 nrg Height, 734 inches; length, 1214 inches 4k dedi 


Ovr of rich green grass on rough land in the foreground rise the dark 
brown trunks of slender trees growing vagariously in clumps, and 
strongly silhouetted against the light from a white and pale-turquoise 
sky. Sparse foliage of grayish-green is seen aloft, the tree tops how- 
ever not being included in the picture. A winding stream repeats in 
reflection the white of the sky, and in the distance are woods and a 
hamlet. 

Signed at the lower left, H. Harpicnties. 


Purchased from M. Kngedler & Co. 


Property of Mrs. Rovanp C. Lincouxn. 
GHL3 Bong heh Olach to konder Precey 24, (g07- H-UX 
Sold. Ab. Xinecte «fan 3) po PESX- 


| STANISLAS LEPINE 
Aen : 1886—1892 


grayish sky, spreads across the foreground and extends into the central 
distance, where it narrows in perspective at the base of high but vague 
2 hills. At either side are warehouses and other buildings of the city, 
: and drawn up at the quays lie many cargo ships with sails furled. In 
the foreground, on the water, are two boatmen in a small-boat. 


Signed at the lower left, 5. LEPINE. 
' Purchased from Messrs. Durand-Ruel. 
. 


| _ Property of Mrs. Roxanp C. Linco. 


oe 
i ' 


GEORGE DE FOREST BRUSH, N.A. 


AMERICAN: 1855— 


22 “MARY” 


£360 tC Height, 138% wmches; width, 9 inches bt. Muoclle/» 4 


Heap and shoulders portrait of a brown-eyed little girl with round, 
pink cheeks. Her long and thick, smooth brown hair, which is worn in 
a bang that just clears her eyebrows, comes down beside her temples 
and cheeks and rests in curling ends on her shoulders. She wears a 
loose sack of yellowish-olive. 


Signed at the upper left, Gro. DE Forest Brusu; dated 1906. 
Purchased from M. Knoedler & Co. 


Property of Mrs. Rotanp C. Lincoin. 


“3392, Diu corvecquonens, furrm Ailiak Motte) 1906 4 
Sola RADE Inanck 1341907, BMSXK 4. 


LEON RICHET 
Frencu: 1847—1907 


23—_-_LANDSCAPE 
EFO+4 Height, 91% inches; length, 14 inches 0. teeth, digenh 


_ Sunny meadows with a distant boundary of dark woods are green and 
brown with grass and weeds, and dotted with color by blossoming wild 
flowers. A brook winds through the meadows, and in the foreground is 

whitened as it hurries by the sunshine which also brightens the white 
waist and scarlet neckerchief of a girl who stands at the left, near a 
group of trees. 


Signed at the lower left, Lion Ricuer. 


Property of Mrs. Roxanp C. Lrncoiy. 


eN. | 
2s EVERT PIETERS 


Dutcu: 1856— 


24—THE LITTLE HOUSEWIFE 


Boe Height, 1444 inches; width, 1014 inches 4 b+ Ms. Gore) 


A sopeEr and serious little Dutch girl with tousled golden hair faces the 
spectator, seated beside a great basket and busily at work preparing 
vegetables that it contains. She is intently interested in her important 
task, and is seen with a soft light on her hair and part of her chubby 
face, before a dark brown background. She wears a greenish-blue 
short-sleeved frock, and sabots. 


Signed at the lower right, K. Pirtrers. 


Property of Mrs. Rouanp C. Lixcouy. 


Ut 


EVERT PIETERS 
Dutcu: 1856— 


25—THE SHELLFISHER 


os" (Panel) yi hy, 


Height, 1414 inches; width, 10% wmches Siva 
On a long gray beach stretching away to the distance on the right, two 
carts are seen, one in the middle distance departing, and the other 
halted in the foreground, its patient brown horse facing the spectator. 
The cart is already piled high with a load, but its industrious owner is 
beside it in the white ripples of the incoming tide, digging yet a little 
longer for the yield of the sands. 


Signed at the lower right, E. PreTers. 
Property of Mrs. Rotanp C. Lincoun. 


ANTON MAUVE jh ; Ns 


Durcu: 1838—1888 : 
26—WINTER WORK IN THE WOODS 


O50 A Height, 1314, inches; width, 11 inches pu 7 


Snow covers the ground and winter is in the cold gray sky. At left and 
swinging around into the distance, the gray and brown, leafless trees of 
a wood. In the foreground, at the edge of the wood, a team of horses 


and some loggers are ready to haul away the felled trunk of a great tree. 
A female figure stands looking on, just within the wood. 


Signed at the lower right, A. Mauve. 
Purchased from M. Knoedler & Co. 


Property of Mrs. Rouanp C. Lincoxn. 
— 7291- Milind ty Mouse Boca fon 187 6- Foxx, 
Me TN Fparet /of/P93 - AIMS - 


; 
VA, Mocca bch Lola to Seetbify SOAK + 
| 5 Sola + Jtiae dcahy ee om ashtye+ BEXK 


“al > 
\ ALBERT NEUHUYS | 
2 Doren: 1844—1914 | 
27—COURTSHIP | 
750 +4 Height, 14 inches: witty Tien 


SEATED at the open garden door of a cottage is a young peasant 
woman, contentedly sewing. She faces the spectator with her back 
against the rough wooden door, a cat squatting on the red tile floor at 
her feet. Standing in the doorway and seen against the sunlight and 
greenery of the garden is a young peasant in sabots, paying his court 
with a pleased smile, in which she joins without looking up at him. 


Signed at the lower left, ALB. NEUHUYs, F. 
Purchased from Arthur Tooth & Sons, London. 


Property of Mrs. Rotanp C. Linco.un. 


| 


A 


x 


ALBERT NEUHUYS 
Dutcu: 1844—1914 


283—_MATERNITY 
/ 000 + Height, 1234 inches; length, 1914 inches 


In a cottage interior where the sunshine streams broadly in, a young 
peasant mother is observed with her two children. An infant with 
reddish-golden hair sits on her knee, and she is fastening up its rose 
and golden-yellow clothes, and at a table in front of her an older child 
in an olive frock is standing, amusing itself. The mother is seen in 
profile, wearing a brown waist and dark blue skirt. 


Signed at the lower left, Aus. Nruuvys, ¥. 
Procured direct from the artist. 


Property of Mrs. Rouanp C. Lixcoiy. 


ae 


() es h HENRIETTA RONNER 
| VS | Durcw: 1821—1909 


V/ 


299—_STUDY OF WHITE CATS 


5 (Panel) 
400 ac Height, 101% inches; length, 1414 inches J 7 


Two of the long-haired white Angora or Persian cats lie sleeping, on 
soft creamy cushions, in a strong light and more or less curled up to- 
gether. One lies with head to the right and facing the spectator, the 
other with head to left and resting on the first one’s back. 


Signed at the upper left, HENr1ETTA Ronner, 1893. 


Purchased from the artist, i Brussels, 1896. 


Siac Doe So Sar cong 


Property of Mrs. Rouanp C. Lincoun. 


: 7 WY CARL J. NORDELL 
: Mao 
4 Pon DanlIsH: CoNTEMPORARY x 


30—IN GRANDMOTHER’S SHAWL ; 
De 01 Height, 16 inches; width, 12 inches re L 


SEATED figure, observed nearly at full-length, of a dark-haired young 
woman of rosy complexion, who is facing the left and seen in profile. 
She is in a white indoor or summer frock, with short sleeves, and a 
black lace shawl is draped over the chair-back and drawn forward 
across her lap. Strong light; light grayish neutral background. 


Signed at right, below centre, NorDELL. 
Purchased from the artist. 


Property of Mrs. Rouanp C. Linco. 


CHARLES OLIVIER DE PENNE 
Frencu: 1831—1897 


31—HUNTING DOGS 


4004 Height, 18 inches; width, 15 inches 4 ki fooanthe 


Turee hounds in leash are grouped in the foreground, two standing 
and one seated on the snow covered ground at the edge of a wood on 
the left. The wood continues in and across the background, and 
before it, on the right, a party of hunters are seen standing around a 
glowing fire, toward which the dogs are looking. 


Signed at the lower right, OL. pz PENNE. 


roperty o Saat Roxranp C. Lincoun. 


a CHILDE HASSAM, N.A. 


¢ AMERICAN: 1859— 


32 NEW YORK IN AUTUMN 


SCS Height, 14 inches; length, 18 inches Ll. YuleL, 
a 


On the right in the foreground a green bank of Central Park above its 
gray stone wall; above the bank of yellow and red of autumn shrubbery, 
and at the foot of the wall small wind-blown heaps of autumn leaves. 
Straight before the eye the broad walk of the avenue, between its lines 
of leafless trees, and women and children in brilliant colors walking 
there. In the roadway horses and carriages. 


Signed at the lower left, CuitpE Hassam. 


Property of Mrs. Rotanp C. Lincoun. 


EUGENE LOUIS BOUDIN 


Frencu: 1824—1898 


33—PORTE DE COMMERCE, LE HAVRE , 
Upauch ann 


Vise Height, 1614 inches; width, 1234 inches 6.4. 


Unper a sky of light turquoise note, veiled by vaporous clouds of pale 
mauve and by billows of white, a section of the port of Havre is 
depicted, the water glistening with light reflections of the sky and with 
darker tones from ships and buildings. The latter appear both in 
sunshine and shadow. The ships are for the most part the tall-masted 
square-riggers which are so rapidly disappearing from the seas. ; 


Signed at the lower right, EK. Bounin, 794; Lz Havre. 
Property of Mrs. Rouanp C. Lincoxy. 


» ate Glen: 


JEAN CHARLES CAZIN 
Frencu: 1841—1901 


34—_ LANDSCAPE: SUNSET 


LI00-7 Height, 1614 inches; width, 13 inches hel blirf 


Britziant early evening over a French countryside, with the full golden 
moon emerging from a ‘cloud-bank in a sky of many clouds and of 
varied curious colors. Alow, a hillside, with the red tile roof of a 
cottage rising above its edge in the distance, and nearer at hand a 
haystack beside a rail and stone fence. In front of the fence, field 
flowers blossom in the foreground. 


Signed at the lower left, J. C. Cazin. 
Purchased from Boussod, Valadon & Co., Paris. 


Property of Mrs. Rotanp C. Lincouy. 


i i ce 


FELIX ZIEM 
Frencu: 1821—1911 


3835—VENICE: EFFET DU SOIR 


E50 4 Height, 1444 inches; length, 2144 twches dtl dorles 


A composition on the Lagoon, with a building-mass dominated by a 
campanile and domed church—San Giorgio Maggiore—looming in the 
middle distance, on the right, before a sky of the sunset hour, red and 
gray and golden. Further to right the tall red and yellow sails of two 
vessels tower above the building roofs; at left the water reaches to the 
horizon, and in the foreground a large gondola is crossing with many 
passengers. * ) 
Signed at the lower right, ZIEM. 


Purchased from Boussod, Valadon & Co., Paris. 


Property of Mrs. Roxtanp C. Livcoiy. 


g5" 


36—LA MEUSE A DORDRECHT 
Wor Height, 15°4 inches; length, 2134, inches bras ll 


Ow the left in the middle distance low buildings of the town, creamy- 
gray, with yellow-red roofs in a horizontal skyline, and back in the © 
central distance an indefinite mass of shipping in the river. In the | 
foreground a number of heavy working boats are lying at anchor in 
the stream, some with sails up. The air is but lightly stirring. The 
cloud-whitened water about the vessels is darkened a reflections of 3 
their canvas and hulls. | 


EUGENE LOUIS BOUDIN 
Frencu: 1824—1898 


Signed at the lower right, EK. Boupry, DorpRrecut, 83. 
Purchased from Messrs. Durand-Ruel. 


Property of Mrs. Rotanp C. Lrnxcoun. 


yr 


fe 


; i SIMON MARIS 


0 (Son of the late Willem Maris) 


DutcH: CONTEMPORARY 


37—THE BRIDE 
(The Wife of the Artist) 


FO = Height, 25 inches; width, 19 inches fii 


Haur-LenctH figure of a happy, smiling, dark-haired young woman 
of olive complexion, her cheeks slightly warmed with color. She wears 
a gown of complex coloring, with golden-yellow and notes of blue pre- 
dominating, a pearl necklace with jewelled pendant, and a bridal veil. 
which she catches up in one hand before her breast. Her other hand, 
at her waist, is seen through the veil. She faces left, three-quarters 
front, the light falling more strongly on neck and breast than on her 
face, which is partly shadowed. : 


he 


ana : ; 


Signed at the lower right, Stwon Maris. ; 
Property of Mrs. Roxtanp C. Lincoxy. 3 ; 


JOHANN BARTHOLD JONGKIND 
Dutcu: 1819—1891 


38—FECAMP 


Vie Height, 17 inches; length, 2334 inches Ma Canepa 


THE scene is within the harbor at low tide, and in the foreground boats 
large and small stand on their keels on the gray and yellow sands, and 
women and children have come down among them. The canalized 
channel crosses the picture in the middle distance, and on its farther 
side rise port buildings, dwellings and a high hill. 


Signed at the lower left, JoncKinp, 1852. 


Purchased from the Boussod, Valadon & Company sale, New York, 
1902; No. 231. ~P//@O~+ MB. 


Property of Mrs. Rotanp C. Linco. 


Dutcu: 1856— 


H" § EVERT PIETERS 
- 39 INFANT INDUSTRY 


i > | KI Height, 2414, inches; width, 20 inches hone deli 


ie Rowunp and rosy of face and plump of arm, a small girl of the pros- 
_____ perous Netherlands, in sabots and tight cap, is sitting in a heavily 
built rush-seated armchair, before a fireplace in a tile-floored room, 
mtent upon threading a needle. Setting aside her toys on the table 
_.._ before her, she has turned to sewing. She faces left, three- -quarters 
jason, with light aoe from the right, and is clad in white and gray 
and brick-red. 


Signed at the lower right, E. Prerers. 


- Property of Beet. Lincoun. 


\ Se’ 


MAXIME MAUFRA 
Frencu: 1861—1918 


40—LE MATIN, BEG-MEIL 


Height, 21 inches; length, 26 inches duel 
200 + Mucase 


Curvine from the left middle distance into the foreground a crescent 
beach of golden ‘sands, picked out with rocks russet, green, gray and 
blue, is lapped by an opalescent sea sweeping in upon it from the 
distance. Offshore, in a summer morning haze, the hulls and sails of 
ships in violet-gray silhouette, and aloft the half-hidden sun making 
the sky resplendent, as the golden rays penetrate prismatically the 
hazy, misty air. 


Signed at the lower left, Maurra, 1900. 


Purchased from Messrs. Durand-Ruel. 


| Property of Mrs. RoLanp C. Lixcoty. 


BERNARD DE HOOG | 


Dutcu: 1866— 


41-THE MOTHER | 
IE — Height, 20 inches; width, 16 inches 3 


Unper a wall clock whose brass weights catch glints of the sunlight 
which illumines herself and the gray wall behind her, a peasant mother 
sits in her cottage, nursing a chubby infant at her breast. She is in- 
yellowish-russet and gray, with a blue apron, and her baby is in 
dark red with a variegated cap. At her side is a capacious and well 
protected cradle. 


Signed at the lower left, Bernard pE Hooe. 


Property of Mrs. Rotanp C. Lincoiy. 


CHILDE HASSAM, N.A. 
e AmERIcAN: 1859— 


- 42—FIFTH AVENUE Sh 


1-z v4 /bO = Height, 25 inches; width, 21 inches 


A susy afternoon on lower Fifth Avenue in the days when the buses 
| were horse-drawn and fashion remained familiar with the stretch of 
\@ the avenue above Washington Square. A function is on at the Old 
| First church or in a mansion opposite, or both, and as the spectator 
i. looks down from the Twelfth Street corner he sees the church in 
| purplish silhouette against a brilliant sky, the roadway of the avenue 
filled with vehicles, and the sidewalks with pedestrians whose shadows 
are thrown before them by the westering sun. 


Signed at the lower left, CH1LpE Hassam, New York, 1892. 


ee a ee 


Property of Mrs. Rotanp C. Linco. 


: WILIAM GEDNEY BUNCH, N.A. 
A ERICA ERA | ] a 


43—ON THE LAGOON, VENICE : 


928s ee 


Height, 1434 inches; length, 2514 imches 


Tur Lagoon sweeps across the picture, reaching at the left to the 
horizon and at the right to a distant shore showing vague buildings __ 
and a campanile. In the middle distance both at right and left are 
ships with colorful sails whose hues fill the water with rich reflections, _ 
and near the foreground lies a great red steamer, with lighters at her — 
sides. : | 
Signed at the lower left, W. GepNry Buncez, VENICE, 83. 


Exhibited at the Pan-American Exposition, where it recewed the silver 
medal. ; . . 


Property of Mrs. Rotanp C. Linco. 


ners) 
SRP, 


¥ 
3 


PAUL JEAN CLAYS 
Bretcian: 1819—1900 : 


14 HERRING FLEET hh ts, ental | 
J GOO a Height, 2424 inches; length, 3014 inches — . 


Tue herring boats with their big, bulky hulls, lie neatly in a broad 
river’s mouth, its waters in lazy motion, just enough to ruffle the reflec- 
tions of the cream, rose and white sails into a soft chromatic confusion. 
Numerous figures appear aboard the craft, at the side of the nearest 
vessel 1s a small-boat with two men in it, and in the distance are Me | 


sail and the buildings of a town. a Ce éf | | 


Signed at the lower fae: Brak: Crays; on back: Bae 
VLIET, . 


Purchased from M. Knocdler & Co. 


Property of Mrs. Roxtanp C,. Linco. 


G00% < Conegleh Za ah «Go Uarwo » Liha dog, Pe OSX 4 
Gla. Yllin Coat /bovttir, , law 3ofgar BAAKK 


ae 


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erectetor ne certey 


4 
“A EDWARD WILLIS REDFIELD 
AMERICAN: 1868— 


45—ROAD IN WINTER: FOREST OF 
FONTAINEBLEAU 


F757 Height, 29 inches; width, 23% inches aa.  Abalour 


SLENDER, scattered trees of an open wood, their white bark silvered 
by slants of sunshine, retain leaves of yellow, red and brown, and 
shrubbery below them is brilliant red, while all about the ground is 
snow-covered, save where now and again the green grass appears on 
the side of a low mound. It is a day of early winter, and the feel of 
snow is in the air, though the sky 1s sunny and bright. In the back- 
ground the wood becomes more dense, and is enshrouded in cold mist. 


Signed at the lower right, HK. Wits RepFiexp, 790. 


Exhibited at the Salon, Paris, 1891. 
Purchased from the Exhibition of the Pennsylvania Academy of the 
Fine Arts, 1892. 


Property of Mrs. Rotanp C. Lincoun. 


a 


( } 


hs 


) Dips MARY L. MACUMBER  - 
4 4 AmERIcAN: 1861—1916 Hae ! hab 
46—DEATH AND THE CAPTIVE 
Height, 23 inches; length, 28. inches | 


Two female figures seen at half-length. In the lead, facing the right 
and seen in profile, with head bowed, an angel in white whose wings rise 
beyond the top of the picture; she holds a sickle and a sheaf of wheat. 
Back of her and facing the observer but with vague eyes on the white 
figure before her, a pale, Titian-haired young woman in blue, with 
hands folded devoutly before her. 

Signed at the lower right, M. L. Macumsrr, 1902, and on 

back with the title. 


Ny "i 


_* 
\ 
we 


pT 


A Copley Print of the above has been published by Curtis & Cameron 


of Boston. 


Property of Mrs. Rotanp C. Lincoiry. 


THE FOLLOWING REMARKABLE GROUP OF THE 

WORKS OF THE LATE FRITS THAULOW WERE 
SELECTED BY THE OWNER, MRS. ROLAND C. 
LINCOLN, AS REPRESENTING THE BEST PERIODS 
OF THE DECEASED MASTER. 


FRITS THAULOW 
Norwecian: 1847—1906 


oe 1 RIVIERE SOUS BOIS : +4 

a _ (Pastel on Canvas) bh, fl 

- ay eee er 

i [E80 Height, 24 inches; length, 371 inches G y 


_. _Berrween green banks, that one on the left the end of a flat meadow, the 

4 — one on the right mounded, a narrow river curls out of the left middle 
- distance and hurries forward, whirling about some rocks where the water 

is shallow in the foreground. At its edge a maiden in peasant costume 
washes some linen, and a kettle is steaming over a small fagot fire in 
the meadow at her back. Cottages in the background. 


‘Signed at the lower left, Fairs THatLow. 
Purchased from Boussod, Valadon & Co. 
| Property of Mrs. Rotanp C. Lrxcoty. 


E pO FRITS THAULOW . 
=u), Norwecran: 1847—1906 a 
[= 48_VENETIAN CANAL SCENE 


/b00 +1 Height, 25°4, inches: length, 32 inches Hocuaed Yoreny 


Paxaces of red brick, and palaces of walls creamy and gray, stand at 
either side of an angular bend of a canal, which winds into view from 
beneath a bridge, toward which a boatman is sculling a gondola. 
Another gondola is tied before a door on the left, and over a garden 
wall come flourishing branches of green trees and vines. 


Signed at the lower right, Frits THat Low. 


Property of Mrs. Rotanp C. Lixcory. 


te kl oe . ind, 4 F 2h SD Pewee ra a a 3% a! (4 See 


co 


- FRITS THAULOW 
Norwecian: 1847—1906 


49—BEND IN THE RIVER. 
SOO 4 — Height, 24 inches; length, 2914 inches © wy) 


On a rounded point of land at the left, a low creamy cottage with’ red 
tile roof, and before it tall trecs, the trees and the roof extending above 
the picture top. Around the point a river sweeps forward, its swift 
current ruffled with reflections of trees and cottage roof and of the 
sky. Across the stream on the right, in the background, cottages at 
the foot of a green hill. 

Signed at the lower left, Frrrs THauiow. 


Property of Mrs. Routanp C. Lincoiy. \ ; { 


ia 


\/ FRITS THAULOW 
IK Newwrann : 184'7—1906 


ui 50—LES VIGNES VIERGES 
| 4000 4 Height, 2514 inches; length, 32 inches 4 


A swiFT-FLowiIne river takes a winding course through a ell wooded, 
park-like landscape, with trees green and yellow-brown in the back- 
ground and at the left. On the right a house of stone and brick and 
plaster, with a gray wooden porch, stands within a bend of the stream 
as it turns forward, and before a neighboring wall in the right fore- 
ground flourishing Virginia Creepers have turned to scarlet and crim- 
son hues. 


Signed at the lower left, isis A 
Purchased from the artist, 1904. 


Property of Mrs. Rovanp C. Lincoxyn. 


gO 
FRITS THAULOW _ 


VK Norwecian: 1847—1906 


4 


51_VIEW ON THE ALLEGHENY RIVER 
/GIO 4 Height, 251 inches; length, 321/, inches 


A river encircling a heart-shaped island—or seeming so to do—in 
the middle distance, comes forward about the island in rapid motion, 
the waters in the foreground fairly swirling as the currents meet. All 
the shores are thick with shrubbery and trees, and every one is a mass 
of varied autumn color, beneath a light turquoise sky which is mottled 
by varying clouds. On a stretch of the most: distant shore a burst 
of sunshine intensifies the coloring. [Thaulow was delighted with 
American autumn foliage, and fixed its glories as he saw them in this 
canvas. | oN 

Signed at the lower right, Frirs THavLow. 


Painted when the artist visited this country as a member of the Jury 
of Award at the Carnegie Institute, Pittsburgh. — 


Purchased from the artist in 1900. 


Property of Mas. Rotanp C. Linco.uy. 


9093 baxghh Walle, bon Kordiny Jyh Cm KX - 
Sold - Balliaue » Coll Marten AO) yg00 4 fam Ass : 


FRITS THAULOW 
Norwecian: 1847—1906 


52—-WINTER LANDSCAPE tpt fh 
OS0O 7 Height, 29 inches; length, 37 inches Hbruned | Z WAG 


A tance red brick mill or factory stands in the left middle distance, 
-and a potent mill stream encircles it. In the background, on the 
opposite side of the stream, a tall gray building with gambrel roof 
towers toward a white sky, and other buildings stand neighbors to it 
on a hillside, among trees. Ground, trees and roofs are all snow- 
covered, and the hastening stream looks sympathetically cold, but is 
full of color. ire 


Signed at the lower left, Faire Deabrow. 
Purchased from M. Knoedler & Co. | 
Property of Mrs. Rotanp C. Lrncoun. ae | . 
ISON + Bruit Abnrnuo bo Auauhfuch ey aes des unmea 

: Sold. igs wage N190R -OMSX, oy a 


psaahionsaion 


ee 


Pe FRITS THAULOW 
‘@ | Norwecian: 1847—1906 


53—THE HALT, EVENING: MOONLIGHT Ee 
Ps O50 ge Height, 26 inches; length, 32 inches D ‘lelaiy 


In a winding road through a French village, lined by houses on the” 
left and a high garden wall on the right, a cart has stopped before a 
creamy-walled inn with a roof of warm brown thatch. The two white 
horses, tandem, stand patiently in the bright moonlight—so brilliant 
it suggests sunshine, until one notes the dim artificial light within the 
building. Their driver has found companionship within the hostelry. 
Trees abound about the buildings and in the garden, and in the sae 
tance is descried the spire of a church. oe 


Signed at the lower right, Frits THAvLow. 
From the Thaulow Exhibition in the Salon des Beaux-Arts, Paris, 1902. — 


Property of Mrs. Rotann C. Lincoun. — 


J 
7 
ie 
is 
! 


FRITS THAULOW 
Nee 1847—1906 


54— LA SEINE EN DECEMBRE 
JI0O4 _ Height, 46 inches; width, 29 ahi y haan 


In the hazy background the gray towers of Notre Dame appear, beyond 
the arches of transverse bridges of the middle distance, as the spectator 
looks down the Seine along the left,—and across the arm of it rounding 
in the foreground the upper end of the Ile Saint Louis,—from the Port 
des Célestins. High over this arm of the river, in the immediate fore- 
ground and forming the right of the picture, is the Pont Sully, its 
course more or less longitudinal to the spectator. This was at the — 
time the only wooden bridge in Paris. Beneath this bridge a steamer is 
disappearing toward the right, leaving a cloud of steam and smoke. 
People look down over the balustrade of the bridge, and other figures 
also are seen, in the haze, on the nearer of the transverse bridges. 


Signed at the lower right, Riis Tuavtow, 793. 


Property of Mrs. Rotanp C. Lincoiun. 


“T. were SS ee ee eA ae 


FRITS THAULOW 
Norwecian: 1847—1906 


55—VENICE ee se ) 
J 10 4 reine 26 inches; length, 321, noe ae cy 


A CANAL comes into view from the left, broad ae in the eae ia 

its green waters many-hued with reflections of the cream and rose and 
crimson palaces lining its farther bank. Before one, a a gondola, empty, 
and in midstream another with a gondolier. White sky. 


ae | Signed at the lower io Tenby. 
Purchased from Glaenzer & Co., New York. 


Property of Mrs. Roxtanp C. Lincorn. 


ae rhea rar + iO ae ae we 


HENDRIK WILLEM MESDAG 

: Doutcn: 1831—1915- 

56—SCHEV ENINGEN ae. 
Vie Height, ans inches; length, 35M ce ZA 


‘ } 
=, 7 


IgE at the lower nae H. Ww. ass : 


Property of Mrs. Rotanp C. Lincoxy. 


ne~ we ci 


aoe 


a hn . 
eee 


eee Sea ALT ae 2 ee Eee: ee 5 oP ee ee ee 


a | 
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JOHN LAFARGE, N.A. ; 
AMERICAN: 1835-1 910 


be. 


51—DAWN COMES ON THE EDGE OF NIG, 
Mo. Height, 3144 inches; 4 33 inches 


arms which are bare, the rest of the both enwrapped in a : ote 

cream and white tunic, and again enfolded in‘a mantle of similar 
coloring—the figure floating through cloud space and over the surface 
of a sea, and moving, through darkness, in a mysterious light. Turned ee 
toward the front, the body bends leftward and forward as the figure a 
moves, and the face is seen a little more than in profile to the left, the 
head bent slightly downward—the face revealed by the spreading of the. | 
mantle back of the head, the mantle held in the extended hands. = 


Property of Mrs. Rotanp C. Lincorn. 


ee wae oe es ne Ree eo q de > Toe 


< 


WILLIAM GEDNEY BUNCE,N.A. 
AMERICAN: 1840—- en 


58—SAN GIORGIO MAGGIORE, VENICE 
Z, FG EN sd Height, 2372 inches; length, 37 wenee Sef 7 a 


Tue broad and quiet waters of the Laguna spread to a ae nel 
horizon at ‘right and left, around the island church ¢ group of 

Giorgio with its campanile, the buildings rising in rose and gray 
yellow in the middle distance and their reflections making colorful —- 
water of the foreground. At right in the foreground some Be ie oi 
with sails crimson and yellow and greenish, a 


Property of Mrs. Rouanp C. Lincoun. 


. ‘ly 
Fs < ; 
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‘7 i = , b 
é cea . 4 foes 
sie ar ks 3 a ee 
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Me i‘ ‘ Ee ct : 
ae as wn 
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WILLIAM SARGEANT END: 
AMERICAN: [Red - : 


50-THROUGH A DOORWAY a 
fee. re ae ee 49 inches: ee: 20 inches 


and vole aN chee 1s ene betde tee and through | 


- be seen the. eran of a garden: 


4 : a fr re 
~~) Pia ie es ee NN 


Since at the lone left, £CobymaHiy 1906, ae. 
PRENDALE. ME ke 


paso 


Property of Mrs. Roxianp C. Lincorn. i 


ae 5 2 
i rm my x 
oo 
Vi a 
¥ 
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EVERT PIETERS 
Doutcu: 1856— 
60—THE OPEN DOOR 
J 130 = Height, 32 inches; length, 434 inches ) 


From the interior of a large cottage living room the spectator look | 
out through an open doorway and through a window to a green garden 
flooded with sunshine and made colorful by sunflowers and hollyhocks. 
Through doorway and ‘window the sunshine streams into the room, on 
whose red-tiled floor two children are at play, at the feet of their 
white-capped mother who is sewing at the window. At- left. a kettle | 
over a hearth fire. The scene is at the artist’s studio at Blaricum, | 
near Laven, Holland. 
See at the lowes right, rE. Prorens. 


Purchased from C. W. Kraushaar, N ew York. 


Property of Mrs. Rotanp C. Lincoun. 


0 _-WINSLOW HOMER, N.A. 
¢ AMERICAN: 1836—1910 


61—WILD GEESE IN FLIGHT 


BA So 00-4 Height, 34 inches; length, 5014 inches A? he : J 
Win geese showing their gray and brown and black plumage, and whites 
spottings, are seen close at hand, flying low over rolling and seamed _ 
sand dunes which are tufted with green and yellow, brown and pop 
herbage. ‘Three of the birds are closely observed on the wing, and in q 
the immediate foreground lie two which marksmen have brought down. 2 
Sky alight with white morning clouds. 


Signed at the oa right, W. Howes 1897. 
Exhibited at the Museums of Fine Arts in Boston and Worcester the 


Pennsylvania Academy of the Fine Arts, ee and the — 
Carnegie Institute, Pittsburgh. 


> 


Property of Mrs. Rouanp C. Lincoiy. 


: 
. 
: 


pe nae 


ae 


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MARY L. MACUMBER 
AMERICAN: 1861—1916 


62—THEH NIGHTINGALE 
SF COO = 


THREE-QUARTER length standing figure of a young woman. whose 
Titian hair hangs in voluminous mass about her shoulders and back, 
who has paused in playing a sort of lute which is suspended from her 
neck, and looks upward in a listening attitude. She faces the left and 
is seen in profile, and wears a loose low-necked gown of rich red. 


Signed at the lower left, Macumser, 1911. 


Exhibited at the Boston Art Club, and the Corcoran Gallery, Wash- 
ington. 


ene of Mrs. Roranp C. Lincoun. 


RUBENS SANTORO 
Travian: 1843— 


68—V ENICE 
36% 


On the right a palace of creamy-white and gray, with green vines trail- 
ing from its balconies and a rose-bush in bloom overhanging its garden 
wall. A lady emerging from the door, others standing at one side, and 
at the landing other ladies in a gondola—all in brilliant sunshine, which 
sparkles on the ruffled water of the canal. 


Signed at the lower right, RuBENS SANTORO. 


From the collection of the late CotoneL Natuan H. Hert, Bridgeport, 


Conn. Ye heat ites 


Height, 1914, inches; width, 1444 inches Af lacked 


Height, 4414 inches; width, 24 inches Ath. ZB. ba 


a (sy? HENRI HARPIGNIES 


Frencu: 1819—1916 


64—GOLDEN SUNSHINE: SUNNY LANDSCAPE 


Joe at Height, 20 inches; length, 2414, inches O elrben 


A witty land of lightly rolling surface, the general trend of its slope 
being from the right and away from the spectator, is brilliant—fairly 
glowing—ain sunshine, which makes also brilliantly golden the trunks and 
delicate foliage of picturesque, detached trees—they have the appear- 
ance of olive trees—standing out against a light turquoise. sky. <A 
woman and child are seen in the sunlight, just as the land dips into a 
ravine which is darkened by woods, whose deep shadow in the back- 
ground intensifies the effect of the strong light illumining foreground 
and sky. 

Signed at the lower left, H. Harricenisrs, ’91. 


From the collection of the late Cotonen Natuan H. Hert, Bridgeport, 
Conn. Jo EAE Hits 


JOHN CARLETON WIGGINS, N.A. 4 
AMERICAN: 1848— 


65—THE SUNLIT HILL 
6504 Height, 30 inches; length, 40 inches feud Jeu My , 


Route hills forming a high skyline dip toward the spectator, their 
| slopes ending at a valley in the foreground where sheep are pastured. 
{ Several lambs are among the flock, one being suckled by a patient ewe 
-_ who turns her head toward the observer. The pasture is bordered across 

the middle distance by trees brown in autumn, and two fires are alight 
in front of them. Back of them the flanks of the hills are gray-green, 
with one broad incline golden-yellow and orange—the whole landscape 


bathed in sunshine. 
Signed at the lower left, CantEToN WicGINs. 


From the collection of the late Coronet Naruan H. Hert, Bridgeport, 


Conn. He PARLE G heme 


JEAN BAPTISTE CAMILLE COROT 
Frencu: 1796—1875 


66—VILLE D’AVRAY: L’ETANG ET LA 
MAISON CABASSUD 


57 < Height, 18% inches; length, 21% inches NM. tb. veld bla 4 aH 


On the right the shadowed edge of a wood, and skirting it a narrow 
yellow-sandy road which is presently screened from view by a group of 
slender trees with feathery gray-green foliage, which stand in the sunny 
and grassy foreground on the bank of a river. Here at the water’s edge 
a woman kneels, holding her infant. On the farther and higher bank of 
the stream, toward which the road leads, there stands well back beyond 
a green slope a long gray building of composite structure—the Maison 
Cabassud—whose reflection is seen in the water below. In the back- 
ground a wooded ridge cuts a delicate blue sky filled with drifting fleecy 
white clouds. A French writer has said of this picture that the clouds 
pass before the sky like transparent wings, that the light foliage of the 
willows and birches seems to bear the singing nests, and that one divines 
that the mother’s tenderness makes her child laugh in this environment 
of nature en féte. 


Signed at the lower left, Coror. 


Painted between 1855 and 1860. 
Collection Pave Tessi, Paris, 1881. tI 
Exposition Georges Petit, Paris, 1887. -~X/43~ 


Illustrated and described in Robaut’s “Works of Corot,” Vol II, page 
288, No. 917. i? 


Described and illustrated in the catalogue of the De Kuyper Collection, 


Amsterdam, 1911, No. 19. -#6, 7f00 . 


From the collection of the late CoLtoneL Natuan H. Hert, Bridgeport, - 
Conn. 


fa might a ad fee ie! pei sar Sa ea 


arse ppt 


ee omy 


CHARLES FRANCOIS DAUBIGNY 
Frenct: 1817—1878 


67—_LANDSCAPE oe | ' 
000 4 Height 22 inches; length, 3914 inches lb, Aes 


A GREEN and narrow foreground slopes to a rush-bordered stream which 
sweeps across the picture, the water surface mottled with varied reflec- 
tions of land and sky. The farther bank, rough and irregular in its 
conformation, is green with velvety grass, and is illuminated by sunshine 
which also lights the soft foliage of bordering trees that stand at the 
edge of a wood. The wood is dense beyond them, and forms the sky- 
line against a confusion of grayish clouds which all but hide the blue. 
Near the water a man is seen. 

Signed at the lower left, Daunicny. 


Seal and stamp, “CD,” on stretcher and back of canvas; from the - ~ 
Daubigny sale. y¥ 
From the collection of the late Cotonen Natuan H. Hert, Bridgeport, 


Conn. hiv (esi es 


’ ¥ . “C8, At es oe is » 


CONSTANT TROYON 
os Byneon 21S h0 1 es 


68—GOING TO THE FAIR 


/ y OO 7 Height, 25 inches; beng sl 35 inches V4 Walking 


Ts a sunny field road curving around a hillock which stands, bordered by 
short trees, on the right, cows and sheep and a man and woman are 
moving toward the spectator and appear in the centre of the composi- 
tion, close in the foreground. Furthest left of the group are two cows, 
a red one and a red and white one, and beside them on the right is a 
flock of sheep—the sunshine warming the fleece and the bovine coats to. 
rich hues. In rear of the sheep is the shepherd, standing in shadow of — 
an equestrienne who follows close behind the animals. Her mount is a 
tall white horse, and she wears an orange dress and a white sunbonnet. 
In the background toward the left, a waterside landscape with sail and 
habitations. | 

Signed at the lower right, C. Troyon. 


From the Mary J. Moras Collection, New York, 1886, Catalogue 
No. 1938. Dass ba | 


From ay collection of the late CotonrL Natuan H. Hert, Bridgeport, 
Conn. 


—— oh Ca ke oon, > aS Ta Ic eens ee Peet ss ee 
© i aod ad 7 ca 4 —* e% 


ADOLF SCHREYER > 
GERMAN: 1828—1 899 


- 2 


69—_IN DANGER 


Ze S50 Bs Height, 35 sane’ ens 46 iene Moltane 


A Brown horse is leaping forward through the snow as the ative “ 
the sleigh urges him on; for close behind are two wolves, and the rest of — i 
the pack are dimly seen amid the dust of the blown snow. - ~The scene is | 
a bleak, rolling country, studded with scrub foliage and leafless thorn = 

bushes, and bounded in the distance by purple hills. ; A aE | ——— g 


In chit pateeee athena ies eset 


| Signe at thd right. 


Pei rer aaa 


i. } 
(aa 
a 


Originally lecheaen from the late William Dole 


From the Henry T. Cox Collection, New York, 1902. oe eS A pH iy 00 24 


Property of a Private Owner. ete 6S, ull a 


| 
| 
1 


‘KMILE VAN MARCKE. 
Hamtant 1827—1890 © 


70—THE OX TRAIN 


Yh ae LEG “4 Height, 401, inches; tengit 59 inches hal bits he 


Aw unusual and very striking van Marcke; its cutive Sone urge 

and restraint, at the same time; its local apparently Spanish ; it com-— 4 
prehends, besides animals, human figures and landscape, none of the — 
elements of the composition being neglected in the studious considera- _ 
tion of the whole. In a mountainous country a train of ox-drawn | q q 
wagons is depicted, making heavy way in an uneven road which winds | 4 
into the foreground. Here, moving toward the left, a team of four oxen 
is close before the observer, seen in bright sunshine and hitched to a 
heavily loaded antique cart with solid wooden wheels. The bel pal 
of oxen are holding back the load as the cart descends a light incline. q 
Behind come two more similar carts—the drivers of all walking, with — 
their goads, beside their teams. In the foreground a dog stops to drink 
at a pool. Background of high mountains acer a blue ky. with drift- = 
ing strata of white cloud. | a 


Signed at the lower right, Ean VAN Mancke. 


From the collection of the late CoLoneL NATHAN H. Herr, Bridge- 
port, Conn. Fie & ulate ¥ as a 


CONSTANT. TROY ON 
Frencu: 1810—1865 


7I—LE MARE DANS LA CLAIRIERE 
/600 T : Height, 44 inches; aah 551% ‘nates Mt Si ) 


Broap meadows green and brown and golden in shadow and sunshine 
spread far to right and left, before a distant level line of low trees, | 
under a sky of many clouds rolling in mellow hues before the pale tur- 1 
quoise ether above them. In the foreground, at the edge of the meadows, 
numerous cows are reclining in the shade or standing in the sun, and one : a 
is drinking in a pool at whose edge are bushes and a few trees. “At 
right, the figure of a peasant woman. Becoming enthusiastic in con — 
templation of this painting, a French writer saw in the cow drinking 
“her rough body quivering under its reddish coat,” he saw the peasant 
woman “talking to her dog,” and the dead oak near the pool as a _ 
“vanquished giant, expending the last feverish flow of its sap to cheer f 
the end-of a branch which grimaces at leaves already brown.” He — 
found, above the realism of the forms, that the painter has made the 
scene “scintillate as the apotheosis of a beautiful summer day.” 


* 


Signed at the lower left, C. TRovon. | 
From the de Kwyper Collection, Amsterdam, 1911, No. 112.-AL. /0.000 = 


From the A acency of the late CoLtoneL Natuan H. Hert, Bridgeport, 
Conn. to babitetinn 3 


WILLIAM ADOLPHE BOUGUEREAU | 
Frencu: 1825—1905 | 


72-THE WHITE ROSE : a 
S950 4 Height, 6214, inches; width, 361% inches » Mdllind 7 
g a fal ; ‘ : 


FuLL-LENGTH standing figure of a bare-footed young ‘pil frane the s 
spectator, before a garden background of shrubbery and trees ; at right — a 
a glimpse of blue and white sky overhead, and light reflected i in a pool | 3 
below. The girl is of the brunette type, with handsome features, effus- -. 
ing color in her cheeks, and an eye of wisdom;’and she poises her head 
lightly over her right shoulder as she scents the fragrance of a white. a 
rose she has plucked. In her other hand a bouquet is held at her waist, 9 
the hand also catching up a plum-colored overskirt, revealing a skirt | = 
of deep blue. A white scarf embroidered in delicate light blue is tied 3 
loosely about the shoulders, and the sleeves of her white waist are rolled 
up to the elbow. 


Signed at the lower left, W. Boveverear, 1895. 


From the collection bf the late CoLoNEL NATHAN H. Hert, Bridgeport, 


Conn. Ay s caead s85 


FERDINAND VICTOR LEON : ROYBE 5: 
FRENCH: 1840— 


73—SEATED CAVALIER | ay 


Panel) 
L00 or: : : ey 
Height, a4 inches; width, 32 inches 7 


A = a 
In brilliant seventeenth century apparel and Betis a alates wide 
brimmed black hat, which is tilted back and-frames his features, a — 
booted cavalier is portrayed nearly at full-length, seated, with figure 
to left and face turned toward the spectator. He is observed against a 
background composed of a pillared balcony and a colorful lindsen em 
which extends far beneath a gray sky. He is well-fed, and brusque ‘of ame 

manner, and sits with left hand on hip, arm akimbo, his right hand — 
resting on his knee and holding idly a heavy walking-stick. His velvet — 
jacket of grayish-buff is adorned in gold, and his white lace collar fala -. 
in a profusion of folds about his shoulders and breast. — . 


Property of a Private Owner. 


ROBERT LEVRAC TOURNIERE! 
FRENCH: 1668—1752 
T4—COMTESSE D'OVIGNY : ay 
Oth se = Height,<a1 inches ; width, B71 inches 


THE portrait of a smiling, rosy- cheeked and voutant 

the eighteenth century, seated facing very slightly tow iT 

and bestowing her affable gaze upon the observer. She is in 
bodice of white satin trimmed in gold, and a garland of 7 LO 
flowers encircling her shoulders falls from one of them down t ne 
of the lace-edged corsage. A blue mantle enfolds one arm 
lower figure, the other arm resting on a red cushion which lie 
chair-arm. Her sleeves are short and lace trimmed. Spr ad ove 
lap is a large open book of music, a leaf of which she lightly c 
up to turn the page. Dark brownish neutral background. 


- Eo a eee uF 


Property of Mrs. E. H. G. SLATER. Bids ; hee. ; 


PAUL VERONESE 
VENETIAN: 1528—1588 


75—PORTRAIT OF A VENETIAN LADY oz 
a QO Tv Height, 45 inches; width, 344% inches Ly A f ur 


@ ta 


THREE-qUARTER length standing figure of an attractive patrician 
lady, very human and engaging, whose ample proportions are further 
emphasized by the broad and heavy folds of her amplitudinous skirt, 
which is dressed high above her hips and loops low below the centre of 
the bodice. She faces the front, turned very slightly toward the 
right, and looks with large dark eyes directly at the observer. She has 
golden hair and a warm complexion, and she is seen in a warm and rich 
golden light, which enhances the white and gold of her inner bodice ‘f 
and its shoulder-pieces—an intricate and brilliant fabric. The outer 
bodice and skirt are dark. The light which adds gold to her hair and 
to the ornamentation of her waist, also warms and softens the flesh 
tones of neck and breast, and is itself enriched by the contrast of a 
deep black background. She wears a pearl necklace and a iene 
girdle, and holds a glove at her waist. 


Property of a Private Owner. 


FRENCH SCHOOL 


SEVENTEENTH CENTURY 


76—PORTRAIT OF A LADY OF THE COURT 


Sb Height, 51 inches; width, 38 inches bul ‘allot 


Turee-quarter length; three quarters to the left. Long curly hair; 
pearls in her hair; pearl necklace. In a low-cut white dress embroidered. 
in gold; the full short sleeves caught up with a red jeweled clasp; her 
dark blue mantle is lined with fur and woven with French lilies of gold. 
Her right hand rests on a balcony; her left clutches her robe. A land- 


scape in the left background; a large stone vase with a palatial building 
beyond in the right. 


Thought by some to be a portrait of Henrietta (Stuart), daughter of Charles I 
of England, and afterward Duchesse d’Orleans (1644-1670). A portrait of her by 
Mignard is in the National Portrait Gallery, London, No. 228. 


Property of a Private Owner. 


FRENCH SCHOOL 


SEVENTEENTH CENTURY 


77—PORTRAIT OF A LADY AS DIANA 


k Olu Height, 52% inches; width, 421% wmches 

Turee-auarter length; three quarters to the left. In a yellow corsage 
embroidered with floral patterns; a blue sash; a saffron mantle across 
her arms. A crescent in her fair hair. Her right hand is extended and 


holds an arrow; her bow rests against her left arm; a quiver full of. 
arrows is slung from her shoulder. 


i Traditionally said to be a portrait of Madame de Rochebrune. 


Property of a Private Owner. 


ENGLISH SCHOOL 


Earty NINETEENTH CENTURY on 


78—PORTRAIT OF A LADY 
KOO Height, 67 inches; width, 47 inches 
43 i Cola fefe eat 


Fuut length; to the front. In a blue dress edged with gold and low 
cut; red sash; a rope of pearls at her breast. Seated in a large garden 
seat, on which her left arm rests; her other hand in her lap. She wears 
a large hat with red ribbons and feathers on it. Architectural setting 
on the left; landscape with cloudy sky on the right. 


Property of a Private Owner. 


FRANS POURBUS THE YOUNGER 
| Fiemisu: 1569—1622 


79—PORTRAIT OFr MARGHERITA DI MAN TUA, 
4 DUCHESS OF FERRARA 
KTP a 


Height, 5612 inches; width, 40% inches Udlean, Le 


THREE-QUARTER length; three quarters to the left. In the formal 
costume of the sixteenth century; black gown trimmed with gold 
braid and large flowing sleeves which reveal close-fitting undersleeves  _ 
of material of gold and silver texture; large circular lace ruff, pearl 
earrings, pearl pendant in the hair. In the left foreground a table 
covered with a red cloth and writing materials thereon, together with a 
scrap of paper inscribed with her name. Her right hand before her 
breast; her left by her side. A curtain hanging‘in the background. 


Pourbus, although a native of Antwerp, went to Mantua and there became court eet 
painter, a position that he afterward held at the court in Paris. 

This would seem to represent Margherita Gonzaga, at Mantua, Duchess of Fer- 
rara, wife of Alfonso II d’Este (1564-1618). 


From the collection of Signor Vigani of Mantua. 
From Messrs. Lawrie & Company of London. 


From Messrs. Dowdeswell & Dowdeswell, and included in their sale in 
New York, April 8, 1904, No. 144, as a “Portrait of a Duchess di 
Mantua.” “The flesh is pete refined in tone, and treated 


- with great simplicity.” 2 S350 _ I. Lh Oakmnenr, 


Property of a Private Owner. 


A ae 


LOUIS TOCQUE 
Frencu: 1696—1772 


80—PORTRAIT OF MARIE LECZINSKA, a 
QUEEN OF FRANCE p 


Height, 58 7 width, 46 inches 


THREE-QUARTER length; in full face. Her inte robe of splendid textave fs: * 
is brocaded with floral ramages, and the sleeves are formed of suc- + 
‘cessive rows of lace. Her blue corsage is richly embroidered - with — ¥ 
gold, edged with lace, and ornamented with pearls en bandaloque. Her 
royal mantle is flewrdelisé and lined with ermine, and she gathers up me 
the folds of it with her left hand. A three-drop pearl pendant isin her 
powdered hair. Three crowns of state are placed side by side on a gold- sy 
tasseled red cushion placed on the console, on which she rests herself, in 
the left background. A red curtain on the left; a column and base | 
on the right. | ac eee 
Signed, and dated 1783, in the left re 


Marie Leczinska (1703-1768), daughter of Stanislas, King of Poland and Duke 
of Lorraine, became the Queen of Louis XV in 1725. She had to suffer many indig- 
nities and much humiliation through the favors conferred by the king on Mesdames 
de Chateauroux, de Mailly and de Pompadour; and to them succeeded in ‘influence 
Madame du Barry. 

In the Louvre (No. 867) there is a full-length portrait of the Queen by meee . 
which shows her in costume and of usual pose, much as she is represented here, life= .. 
size but standing at full length. The setting of that portrait, which measures 113 
inches by 75 inches, represents her in a vast salle, with architectural background, 
and with columns in the right foreground. It was engraved by Daulle. This would 
seem to be a relatively early portrait of the Queen. ge hee 


Property of a Private Owner. 


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Bote: ag | 


-81-PORTRAIT (Presumed) OF 


a | ee Height 78 inches: ‘width, 56 os 


wearing a aah red robe, and an crabrevaee 
fur. Her dress is cut low; roses in her powdere J 
curls on her shoulders ; pearl earrings. Her fee 
stool; her right hand is extended, and. touches tl 
placed ‘on a red cushion on the table on n the left. oe 


Said to have been formerly i in ng collection of Emil 


Properties of a aba Ovoner. 


SA le Ren a 
Ne es We LK: oo ee 


EDUARD CHARLEMONT 
pane 1848—1 906 | 


82 THE PAGES a 


Nearty life-size figures. The interior of a spacious vestibule, with ¢ 
tapestry hanging on the wall at the back. Four young nobles, araeaa 
as pages, playing dice. The one on the right, in red and gold- 
embroidered costume, leans his head against a pillar as he holds i in his - a 
right hand a red cord attached to the collar of a large dog. The next 
page, wearing white breeches, yellow shoes and a gray satin doublet, 
holds in his right hand a book fastened with pink ties; his left. rests _ 
on the head of a dog. He is interested in the game of dice as layed 
by the page dressed in ‘black, and the other,’ who, clad in light brown — 
and seen on the left, with his back to the spectator, rests a hand on 
the flint musket that lies on the floor near him; the butt end of the” 
musket is richly inlaid with ivory. | 


Fully signed, and dated 1889, in the se foreground. 


Evhibited at the Exposition Universelle, Paris, 1889. 7a 4 
In the Charles T. Yerkes Collection, De Luxe Catalogue, Ne o. 21. 
In the Sale Catalogue of ‘that collection, April 5, 1910, ‘No. 40 sft , 
Bénéztt: “Dictionnaire des Peintres,” 1911, Vol. T, p. 924, a 


Z 


Property of a Private Owner. phe a 


= sn PN A NN sae a 4 rg ne nT aN mR 


i: So > tech ees epee eestitbereeenn! 


a tin Ba a a es Sih ee na se Lae aa ae 


LIST OF ARTISTS REPRESENTED AND 


THEIR WORKS 


BOCK, THEOPHILE DE 
Around Haarlem 


BOSBOOM, JOHANNES 
Nieuwe Kerk, Delft 
Cathedral Interior 


BOUDIN, Evcene Lovuis 
Porte de Commerce, Le Havre 
La Meuse 4 Dordrecht 


BOUGUEREAU, WititAm ADOLPHE 
The White Rose 


BRUSH, Grorcet Der Forest, N.A. 
“Mary” 


BUNCE, Wuu1am Gepney, N.A. 
On the Lagoon, Venice 
San Giorgio Maggiore, Venice 


CAZIN, JEAN CHARLES 
Landscape: Sunset 


CATALOGUE 
NUMBER 


6 


33 
36 


72 


22 


3d4 


ry" TD ape eee) Th. 3, eee eet ee 
La‘ : Bi code re =. tan ry a ty ; ‘ - 
iyi ‘ _ Ae) war Pag 
# . 
’ . 


CHARLEMONT, Epvazp 
The Pages 


CLAYS, Paut JEAN 
Herring Fleet 


COROT, JEAN Baptiste CAMILLE ~ re i 
Ville d’Avray: L’Etang et la Macon Cabassud 6 


DAUBIGNY, Cuartzs Francois : oes 
Landscape =~ es oS 


DUPRE, Jutzs 
Paysage 


ENGLISH SCHOOL 
Portrait of a Lady 


FRENCH SCHOOL 
Portrait of a Lady of the Court 
Portrait of a Lady as Diana 


HARPIGNIES, Henri 
Bords de Riviere 7 
Golden Sunshine: Sunny Landscape — 


HASSAM, Cuitpe, N.A. 
New York in Autumn 
Fifth Avenue 


HOMER, Wrnstow, N.A. 
Wild Geese in Flight 


HOOG, BERNARD DE 
The Mother 


JONGKIND, JoHann BarrHorp 
Fécamp 


KENDALL, WituiaAmM SarcEant, N.A. 
Through a Doorway 


LAFARGE, Joun, N.A. 
Dawn Comes on the Edge of Night 


LEPINE, STanistas 
Canal at Caen 


MACUMBER, Mary L. 
Death and the Captive 
The Nightingale 


MARIS, Simon 
The Bride 


MAUFRA, Maxime 
Le Matin, Beg-Meil 


CATALOGUE 
NUMBER 


61 


4) 


38 


21. 


A6 
62 


37 


40 


MAUVE, Anton 
Girl and Cow 
November Day: Changing ere es 
Winter Work in the Woods 


~MESDAG, HeEnprik WILLEM 
“Pulling the Anchor” 
Scheveningen 


MILLET, Jean FRANcoIs 
Bergere 
Le Bouleau mort 


NEUHUYS, ALBert 
Industry © 
The Sewing Lesson 
Courtship 
Maternity 


NORDELL, Car. J. 
In Grandmother’s Shawl 


PENNE, CuHarwes OLIVIER DE 
Hunting Dogs 


PIETERS, Everr 
The Little Housewife 
The Shellfisher 
Infant Industry 
The Open Door 


POURBUS THE YOUNGER, Frans 
7 Portrait of Margherita di Mantua, 
Duchess of Ferrara , 


REDFIELD, Epwarp WIt1Is 
Road in Winter: Forest of Fontainebleau 


RICHET, Lrton 
Landscape 


i RONNER, Henrietta 
Study of White Cats 


ROYBET, Frrprnanp Victor Lron 
Seated Cavalier 


SANTORO, Rusens 


Venice 


SCHREYER, Apo.r 
In Danger 


SHINN, Evererr 
Bridge near La Villette 


STORTENBEKER, PI£TER 


Cows 


CATALOGUE 
NUMBER 


79 


23 


29 


63 


69 


bo 


THAULOW, Fairs : eae | aa 


Riviere sous Bois 

Venetian Canal Scene 

Bend in the River 

Les Vignes vierges 

View on the Allegheny ie 
Winter Landscape 

The Halt, Evening: Moonliele 
La Seine en Décembre 

Venice 


TOCQUE, Lovlis 
Portrait of Marie Leczinska, Queen of France 


TOCQUE, Louis (Attributed to) 
Portrait (Presumed) of Marie Thérése 


TOURNIERES, Roserr Levrac 
Comtesse d’Ovigny 


TROYON, Constant 
Going to the Fair 
Le Mare dans la Clairiére 


VAN ESSEN, Jan 
Lion Cub 


VAN MARCKE, Enix 
A Goat 
The Ox Train 


14 
15 


~~ 


Ba 


LEM Fin 
mie pe Venice: Ef 


fet du Soir | | «85 


y 
oe 


INTELLIGENT APPRAISALS 
FOR 
UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


~APPRAISEMENYS AND INVENTORIES 
OF 


ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
AND PERSONAL EFFECTS OF 
EVERY DESCRIPTION 


AT CHARGES COMMENSURATE 
WITH THE DUTIES INVOLVED 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 


NEW YORK 
TELEPHONE, 3346 GRAMERCY 


COMPOSITION, PRESSWORK 


AND BINDING BY 


pong natin ails 


10 TR 


SE ew oe 


ithe Sree Pesan Aina pene eeNT $32 


ae 


DE DOCK 


MAUVE 


IR SDAG 
SHINY 


MILLE? 


MILLS? 


ViE2DER 
VODUR 


DUPRE 

VAN MARCKE 
VOLLON 
HARPIGNIES 
LEPINE 

BRU SH 
RICHEY 
PIETERS 
Pieters. 
MAUVS 


CRANGTNG. PS POR 5 


AROUND a 


225.00 

GIRL auD cow 1000,00 

PULLING THR alCHOR 375,00 
BRIDGE WAR LA 

VILLETTS 150,00 

BYRGERE 1900,0°: 


1650,00 © 
LE BOULEAU MOR 1360,00 
DIANA 175,00 
3 SOUL IN BONDAGE 126,00 
PAYSAGE 825,00 
A GOaT 400,00 
32 ILL) LIFE 300,00 
DE RIVIGRE 650,00 
CANAL a? CARN 675.00. 
"MARY" 2350.00 
LANDSCAPE =—(“‘*é«BOWOS 
THY LITTLE HOUSRWIFN 325,00 
The shellfisher 226 00. 


hac os el a THE VvOODS 
8050.00. 


“ ) 
* 


Seott & Senet’ 


Ae 4A, Healy — 
Scott & Fowles |. 


T, a, Prendergast 


M,Knoealer & Oo, 

Seott & Fowles 
1. 3, Prendergast 
T, &. Prendergast 
ee = 
0, Bernet,agt. 
B.L.Heniot 

A, 1, SU STE IMER 

Al, Susteimer 


Durand-Ruel 


M,.Knoedl er & COe 
0, Bernet, agt. 


R.C.& NM. Vose 
Wm, Hibbara 


John Levy 


————— 


a ae Hassam 
33 
SF joan Sia 2g 
34 CAZIN 
35 “Aiem 
36 Boudin 
37 Maixs Maris 
38 Johgk ind 
39 Pieters 
siiaihers > tacicaied Wee a> 
40° “Maufra” 
41 Hoog. 
42 Hassam 
43 Bunce 
44 Clays 
45..- Redfield 
46 Macumber 
47 Thaulow 
48 Thaulow 
49 ThauLlow 
50 Thaulow 
Thaulow 


51 


ss cope 


250,00, 


a Werk in Autumn sith bed 


Porte de Commerce 
_.. te Havre 


“Landscape: Sunset 


‘Venice: Bffect Du 


Soir 
“Ta Meuse A 
Dordrecht 
fhe Bride 


Feeamp 


Infant Industry 


The Mother. 


Fifth Avenue 


On the Lagoon, 
Venice 


Herring Fleet 
Road, in Winter: 
Fonst of 
Fontainebleau 


Death and The 
Captive 


Riviere Sous 
Bois 


Venetian Canal 
Scene_ 


Bend in the River 


Les Vignes 
Vierges 


View of the 
Allegheny River 


“| es = 


cx. 00 
3500.00 _ 


1550.00 
800 ,00 
250,00 
725,00 
475 .0U 
300,00 
578.00 
2150.00 
925,00 
1900,00 
375,00 
200,00 
1550.00 


1600.00 


1500 ,00 | 


2000 ,00 


1950,00 


iy? v 4 


C, W.“ranshaar 


ee ie 5 


i 


Seott & Fowles 


_ Durrand-Ruel 


R.C.&N.M.Vose 


TR. Prender- 
gast 


Henry Sehul- 
thies 


H. Ll. Leuder 

WoW. TASEO { 
Agt. 

a. JsHalow 

A, dJ,Halow 


Howard Young 


Howard Young 


0,Belsheim 
John Levy 
Howard Young 


ea i 


56 


Mesdag 


ae oe rmesm 4 
Bunce — 


Kendall 
Pieters 


Homer 


Macumber 
Santoro 


Harpignios 


Wiggins 


Corot 


Daubigny 
Troyon 


Schreyer 


Van Mareke 


Troyon 


Bouguersaut 


Roybet 
fournieres 


Veronese 


French School 


Se 


Dawn Comes on the 


"Pew ot Marts 1760.00 
There ee , Sewer ee of 


775,00 


a 3 


Bdge of Night 960,00 


San Giorgio Maggiore 


Venice 


Through a Doorway 


The Open Door 


25,00 
700 ,00 
1150,00 


Wild Geese in Flight28000,.00 


The Nitingale 
Venice 


Golden Sunshine: 
Sunney Landscape 


The sunlit Hill 
Ville Davray: 

L' Stang Bt La 
Maison Cabassud 
Landseape 

Going to the Fair 


In Dunger 


The Ox Train 


Le Mare Dans 
La Clairiere 


The White Rose 


Seated Cavalier 
Comtesse D'Ovigny 


Portrait of a 
Venetian Lady 


Portrait of a Lady 


ef the Gourt 


1500.00 


375.00 


700 ,00 
650,00 


3700,00 
3000 ,00 
1100 ,00 
2650,00 


1825.00 


1600,00 
1950,00 


500,00 


200,00 


525,00 


Raw. C, Mills 


Seott & Fowles 


Dr, Ino, B,Griges 


R,C.&N,M, Vose 


dno, Levy 


MacBeth Gallier- © 


ies, 


R.C.& NM. Vose 
N. J. Booker 


0.Belsheim 
Panl Watkins 


MoH. Goldblatt 
0, Belsheim 
Panl Watkins 


Rolland Galler-~ 
les, 


Paul Watkins 
RE, Kent 


Holland Galler- 
ies, 


A.J. Halow 


As de Halow 


Paul Watkins 


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